… Sarah Palin opens her mouth!
We were wondering when she’d speak up. The woman who put herself in the “line of fire” by using gun imagery, murderous metaphors and violent rhetoric as her calling card and, by posting on her SarahPAC and facebook pages a map with gun crosshairs over 20 Congressional districts – including Gabby Giffords’, took a bad situation and made it worse with more incendiary words.
I was hoping that Sarah Palin would show that she has some sense in that thick mind of hers by, when emerging from her cocoon of silence, renouncing her bad choice of words and images. I’ll reiterate that Palin’s vitriol likely played no direct role in Saturday’s attack. But they can’t be discounted when commands of violence toward those with whom you have political differences are common and acceptable, as they are with Palin.
Instead, the former half-term governor of Alaska chose to produce a video — note no chance for question and answer or dialog… just a well-rehearsed statement that she read from a teleprompter (you can clearly see its reflection in her glasses!), in which she accuses journalists and pundints (sic) of “BLOOD LIBEL“!
Blood Libel – The blood libel is a false accusation that Jews sacrifice Christian children either to use the blood for various “medicinal” purposes or to prepare Passover Matzoth (unleavened bread) or for vengeance and mock crucifixions. It is one of the central fables of Anti-Semitism of the older (middle ages) type. The blood libel is a phenomenon of medieval and modern Christian anti-Semitism, but spread to the Middle East as early as 1775, when there was a blood libel in Hebron. A second blood libel occurred in Damascus in 1840 and one occurred in Cyprus in the same year. As the blood libel was the subject of folk ballads and literature, it was not simply a religious superstition in Europe, but a staple of popular culture, like most anti-Semitic prejudices.
We can always count on Sarah Palin to choose the most inappropriate words at precisely the wrong time. Both Gaby Giffords and her aide, Gabriel Zimmerman, who was shot and killed on Saturday are Jewish. And Palin uses a term synonymous with antisemitism. And though she sat silent for the past five days while criticism was heaped on her, including by me, she chose today – the day the President will speak at a memorial in Tucson – to make it all about her.
Sarah Palin: “America’s Enduring Strength” from Sarah Palin on Vimeo.
If nothing else, her handling of this situation proved that this woman has no place in national politics or serious discussion. To quote Keith Olbermann, “That woman is a moron!”
My friend Will Bunch, author of The Backlash: Right-Wing Radicals, High-Def Hucksters, and Paranoid Politics in the Age of Obama, who also writes the Attytood blog at the Philadelphia Daily News and is a senior fellow at Media Matters, wrote a piece for Huffington Post yesterday. He joined me this morning to talk about it: “Arizona: Where the American Dream Went to Die”
In the second hour, I was joined by Sue Wilson, filmmaker of Broadcast Blues… all about what’s wrong with radio in the USA.
I ended the show today with another video I put together yesterday. I was inspired by Rachel Maddow who, on her show Monday night, opened with a list of mass murders committed by people with guns since Saturday’s shooter, Jared Loughner, was three years old. She pointed out that this is by no means a complete list… they edited it for time. The music is from singer/songwriter Cheryl Wheeler and called “If It Were Up to Me.” I hope you’ll share it.
[…] How did so much of American radio and television turn from a marketplace of diverse political ideas into a cesspool of Wall Street propaganda and violent-tinged ranting? In the aftermath of the deadly shootings in Tucson, Arizona, filmmaker Sue Wilson appeared Jan. 12 on Nicole Sandler’s Radio or Not show to talk about how media consolidation destroyed the ability of communities to control local programming and led to the rise of hate speech on the public airwaves. Sue also talks about her plans to start an organized effort to legally challenge the radio licenses of broadcasters who abuse the public trust. Sue’s excellent film, Broadcast Blues, outlines the history and consequences of the deregulation of radio and television. The interview starts at 1:16:55. Click here to listen. […]
Alan Dershowitz has used the term ‘blood libel’ out of its original context, just as Sarah Palin did, to respond to criticism of Israel’s conduct in the Dec 2008-Jan 2009 Cast Lead war on Gaza as expressed in the UN Gaza War report by Judge Richard Goldstone. Dershowitz wrote a monograph for camera.org (based in Boston, MA where Dershowitz lives) called “The Case for Moral Clarity” that defended Israel from the UN Gaza War Report findings. Report is referred to as ‘Goldstone report’ to remove obvious UN associations with authorship and make it easier to demonize and delegitimize. Alan Dershowitz also criticized Human Rights Watch for ‘cooking the books’ when it comes to investigating Israeli human rights abuse allegations in 2006. HRW director Kenneth Roth, like Richard Goldstone, is Jewish.
Alan Dershowitz’s public activities now center around suppressing Jewish criticism of Israeli policy toward the peace process with Palestinians and other Arab states. He is in fine form at suppressing Jewish criticism of Israeli government policy in the Simon Wiesenthal Center’s film “Ever Again” and by involvement with camera.org who in 2007 had a conference about “Israel’s Jewish Defamers.” Camera.org may have published a report of that conference too. See muzzlewatch.com for reporting of that conference. Naturally muzzlewatch.com’s sponsor Jewish Voice for Peace is demonized for their dissent from many other Jewish community organizations centering on their support of inclusion of Hamas representatives in peace talks. J Street has been attacked by standwithus.com for similar support. Read book by Dan Fleshler entitled “Transforming America’s Israel Lobby” for more details on Jewish community dissent, and its suppression, regarding support for Israeli government policy. The American Jewish Committee paid Alvin Rosenfeld to write a paper “Israel in the Public Conversation of American Jews” that makes Dershowitz’s points in a less adversarial, prosecutorial and confrontational style. The Jewish Federation of Greater Washington (DC) sponsored a speech by Rosenfeld as part of their “Israel @60” programs in 2008 for Israel’s 60th birthday.
“Ever Again” is a flawed film because it ignores the contribution to anti-semitism in France made by Jean Trochaud alias Florian Scheckler who wanted to suicide-bomb the largest mosque in Paris. THe mosque was built as a memorial to Muslims who died in World War 1. Trochaud wanted to show that “Palestinian kamikazes” didn’t have a monopoly on the tactic. Trochaud was arrested and served about 2 years in jail.
Wiesenthal Center film producer Moriah Films also made a film called “Islam What the World Needs to Know” that elevates extremists disproportionately like “Obsession: Radical Islam’s War Against the West” that was released on millions of free dvds in newspapers during the 2008 presidential campaign. Both films use similar rhetoric to what came out against the Park 51 community center in 2010.
Exclusive: Alan Dershowitz Defends Sarah Palin’s Use of Term ‘Blood Libel’ ~ by Publius @ Andrew Breitbart’s “Big Government”, 01/12/11
I just adore that picture of Miss Sarah. I will truly worship it, because I’ve already added it to the secret shrine I built in her honor in the crawl space beneath my house. She sho does have a big, purdy mouth!
P.S. Who is doing her ‘do* these days, Roger Ailes?
* ‘do is trailer park lingo for ‘hairdo’ – A’int that gnarly?
RE: “…A’int…” – me, above
SHOULD HAVE BEEN: Ain’t (Shame on me! I’ve lost touch with my Southern roots.)
RE: “the secret shrine I built in her honor in the crawl space beneath my house” – me, above
ELUCIDATION: I need to find a better secret place for my shrine to Miss Sarah. All my devotional candles make the crawl space hotter than than Hell! And since there’s only about 3′ of clearance down there, crawling on the dirt ain’t exactly fun either. All the ‘wear and tear’ is beginning to make me look a little like Travis Bickel with his mohawk in “Taxi Driver” (1976)!
P.S. Travis Bickle – http://en.wikipedia.org/wiki/Travis_Bickle